Can the function of a gesture in itself act as a parameter for improvisation or an impetus for choreography?

Can the use of gesture in choreography or any artistic expression be isolated

from its cultural context?

Can the use of gesture confined to a limited part of the artist's body gain

autonomous identity and be isolated from the identity of the artist or


Can the dancer isolate a part of the body and disengage to create

a unique identity that is different from the identity of the dancer?

Can a moving gesture captured on video give it the status

of a composition , design or a work of visual art ?

Can the ideas or rules that govern the making of a painting also govern the choreography of gestures on

a film?